Classical DateBook

Joanne Pearce Martin Classical Concert Listings

Upcoming classical listings featuring Joanne Pearce Martin across all Classical DateBook regions.

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Date: Wed, Aug 26, 3:00 AM

Venue: Hollywood Bowl Neighborhood: Los Angeles Details

Program: Grace-Evangeline Mason: ABLAZE THE MOON; Ludwig van Beethoven: Concerto for Violin, Cello and Piano in C major, Op. 56 Performers: Los Angeles Philharmonic; Anna Handler (conductor); Bing Wang (violin); Robert deMaine (cello); Joanne Pearce Martin (piano) It only takes four notes to recognize Beethoven’s iconic Fifth Symphony. It’s defiant, ferocious, and instantly unforgettable. Anna Handler, a former Dudamel Fellow, returns to the Hollywood Bowl to unleash its liberating forces, pairing one of classical music’s most legendary statements with one of Beethoven’s rarely heard gems: the Triple Concerto. Acting Concertmaster Bing Wang, Principal Cello Robert deMaine, and keyboardist Joanne Pearce Martin—a triple threat that has spent a combined 71 years with the Los Angeles Philharmonic—come together for the composer’s merging of symphonic and chamber music. The program opens with a short, woodwind-rich piece by Grace-Evangeline Mason, an up-and-coming composer from the UK, that represents her impression of the moon as “a flower of gold hanging in a dark sky.”

Date: Wed, Aug 26, 3:00 AM

Venue: Hollywood Bowl Neighborhood: Los Angeles Details

Program: Grace-Evangeline Mason: ABLAZE THE MOON; Ludwig van Beethoven: Concerto for Violin, Cello and Piano in C major, Op. 56 Performers: Los Angeles Philharmonic; Anna Handler (conductor); Bing Wang (violin); Robert deMaine (cello); Joanne Pearce Martin (piano) It only takes four notes to recognize Beethoven’s iconic Fifth Symphony. It’s defiant, ferocious, and instantly unforgettable. Anna Handler, a former Dudamel Fellow, returns to the Hollywood Bowl to unleash its liberating forces, pairing one of classical music’s most legendary statements with one of Beethoven’s rarely heard gems: the Triple Concerto. Acting Concertmaster Bing Wang, Principal Cello Robert deMaine, and keyboardist Joanne Pearce Martin—a triple threat that has spent a combined 71 years with the Los Angeles Philharmonic—come together for the composer’s merging of symphonic and chamber music. The program opens with a short, woodwind-rich piece by Grace-Evangeline Mason, an up-and-coming composer from the UK, that represents her impression of the moon as “a flower of gold hanging in a dark sky.”

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