Classical Concerts This Week in SoCal

Published musical leadership/production credit: Ted Atkatz and Matthew Kallend, directors. This credit alone does not identify additional onstage instrumentalists/singers. Published general admission is the first listed amount, $24, not the senior/student/child discount. Presenter says the mandatory $4 processing fee is already reflected in posted prices; do not add it again. Online-only/cashless ticket, tax/shipping if applicable, capacity and availability remain presenter terms; no purchase performed. One exact printed physical Long Beach concert slot, not a department meeting, split ensemble/teacher roster, biography programme or tentative festival range. Named music directors are not assumed instrumentalists/singers; only expressly credited conductors/soloists enter those roles. No campus mailing street, parking price, digital-program PDF, ticket-vendor request or end/runtime inferred.

Published musical leadership/production credit: Andy Degan, Lê Đoài Huy, Yakov Lychik, and Zlatoslav Sokolov, conductors. This credit alone does not identify additional onstage instrumentalists/singers. Mixed public choral programme includes Bel Canto works by Poulenc and Whitacre, Cantus reflective/gospel repertoire, ConChord folk/traditional music from Vietnam and South Africa. Individual titles unannounced, not inferred from a programme theme. Published general admission is the first listed amount, $24, not the senior/student/child discount. Presenter says the mandatory $4 processing fee is already reflected in posted prices; do not add it again. Online-only/cashless ticket, tax/shipping if applicable, capacity and availability remain presenter terms; no purchase performed. One exact printed physical Long Beach concert slot, not a department meeting, split ensemble/teacher roster, biography programme or tentative festival range. Named music directors are not assumed instrumentalists/singers; only expressly credited conductors/soloists enter those roles. No campus mailing street, parking price, digital-program PDF, ticket-vendor request or end/runtime inferred.

Susan Narucki, soprano, with Leanna Keith, flute, Robert Bui, cello, and unnamed additional collaborators: Adam Greene — Cassandra (world premiere; 25-minute work duration is not this concert’s runtime); Alba Potes — TRINOS, with soprano Kirsten Ashley Wiest; Clara Schumann songs with pianist Kyle Adam Blair. Additional works unannounced. Published general-public admission; faculty/staff/alumni $10 and student-ID free are separate benefits, not general minima. No stock/fee-inclusion guarantee. Own calendar export uses a fixed summer +7-hour UTC conversion after DST ends. Both printed primary/calendar dates and clocks agree; preserve that Pacific wall time with correct PST, not the erroneous export instant. Physical UCSD campus room: Conrad Prebys Concert Hall, La Jolla. No campus mailing address, end/runtime, stream, related concert, series recurrence or course session is fabricated. Native event codes are opaque identities, not a source of dates.

Published musical leadership/production credit: Helen Goode-Castro, Jenni Olson, and Darrin Thaves, directors. This credit alone does not identify additional onstage instrumentalists/singers. Programme names Holst and Kahkonen, with additional works unannounced; surnames are not expanded to guessed first names or work titles. Published general admission is the first listed amount, $24, not the senior/student/child discount. Presenter says the mandatory $4 processing fee is already reflected in posted prices; do not add it again. Online-only/cashless ticket, tax/shipping if applicable, capacity and availability remain presenter terms; no purchase performed. One exact printed physical Long Beach concert slot, not a department meeting, split ensemble/teacher roster, biography programme or tentative festival range. Named music directors are not assumed instrumentalists/singers; only expressly credited conductors/soloists enter those roles. No campus mailing street, parking price, digital-program PDF, ticket-vendor request or end/runtime inferred.

Bizet's immortal opera introduces Carmen: desirable, defiant, and dangerous. She thinks nothing of charming a soldier to escape a spot of trouble, never expecting that he would leave his childhood sweetheart and desert his post to follow. But Don José is a jealous lover, and as Carmen begins a new relationship with bullfighter Escamillo, his passion turns dark—and deadly.

Contemporary chamber programme Politics: This Will Hurt Someone includes works by Matt Marks, Ian Dicke, Ania Vu and Pamela Madsen plus a new commission from Hesam Abedini; individual work titles are unannounced. Aron Kallay is credited as curator/artistic director, not automatically as a pianist on this programme. Published standard ticket $10 plus mandatory $4 order processing: $14 for a one-ticket order. The flat fee is per order, not multiplied per ticket. Titan/student/group benefits are not public admission; exceptional other costs remain unconfirmed. No checkout performed. Native performance ID, independent narrative slot/room, full printed date/weekday/main clock and Pacific offset checked. Shared Event Locator values are production references, not unique performance IDs. No duration, campus mailing street, fabricated cast, extra date or ticket-availability promise. Ticketing access was not attempted by this connector.

Official La Jolla Music Society presentation. Calendar categories: recital.

Published musical leadership/production credit: Madalyn Parnas Möller, director. This credit alone does not identify additional onstage instrumentalists/singers. Published general admission is the first listed amount, $24, not the senior/student/child discount. Presenter says the mandatory $4 processing fee is already reflected in posted prices; do not add it again. Online-only/cashless ticket, tax/shipping if applicable, capacity and availability remain presenter terms; no purchase performed. One exact printed physical Long Beach concert slot, not a department meeting, split ensemble/teacher roster, biography programme or tentative festival range. Named music directors are not assumed instrumentalists/singers; only expressly credited conductors/soloists enter those roles. No campus mailing street, parking price, digital-program PDF, ticket-vendor request or end/runtime inferred.