Recitals in Los Angeles

Public classical chamber/ensemble/recital programme. Individual works and unnamed singers, instrumentalists or conductors remain unknown, not inferred from faculty biographies. General-public admission unconfirmed. Missing Cost/default structured Offer price 0 is not a free badge; unlabeled $20/$15 does not establish the general-public minimum. Confirm fees/reservation/availability with the presenter. One exact public physical performance; no all-day Ravel/festival placeholder, awards/reception, jazz/pop/world-only blanket activation, ticket-vendor action or inferred end/runtime.

Public classical chamber/ensemble/recital programme. Individual works and unnamed singers, instrumentalists or conductors remain unknown, not inferred from faculty biographies. General-public admission unconfirmed. Missing Cost/default structured Offer price 0 is not a free badge; unlabeled $20/$15 does not establish the general-public minimum. Confirm fees/reservation/availability with the presenter. One exact public physical performance; no all-day Ravel/festival placeholder, awards/reception, jazz/pop/world-only blanket activation, ticket-vendor action or inferred end/runtime.

Faculty piano recital; the reception follows separately in George A.V. Dunning Courtyard, not a second concert or a room change. Programme not published. Explicit $10 general admission. LMU student OneCard free benefit/generic Free Event label does not set the public price; reception is separate. One exact public physical performance; no all-day Ravel/festival placeholder, awards/reception, jazz/pop/world-only blanket activation, ticket-vendor action or inferred end/runtime.

Reviewed public classical performance presented by USC Thornton School of Music; individual work titles and/or performers are not yet published. Newman Recital Hall and USC Newman Recital Hall are the same reviewed room. Source records give different street approaches; no single street entrance or map coordinates are inferred. Numeric general-public admission is unconfirmed; no price is inferred from placeholder free flags or a student/USC-ID benefit. One record per exact native physical instance. Related-event blurbs, ticketing windows, livestreams and unspecified date ranges are not additional performances. End time is not inferred.

Harp DMA recital: Alfredo Rolando Ortiz — South American Suite for Harp and Orchestra; Paraguayan harp techniques and double-action pedal harp are part of the described research/performance. Ortiz is the composer, not an assumed live collaborator. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Reviewed public classical performance presented by USC Thornton School of Music; individual work titles and/or performers are not yet published. Newman Recital Hall and USC Newman Recital Hall are the same reviewed room. Source records give different street approaches; no single street entrance or map coordinates are inferred. Admission is explicitly free and open to the public. Confirm current registration/capacity terms; free does not guarantee a seat. One record per exact native physical instance. Related-event blurbs, ticketing windows, livestreams and unspecified date ranges are not additional performances. End time is not inferred.

Olly Wilson — A City Called Heaven; David Stock — Quick Opener; premiere of an untitled published-here work by Hogni Egilsson. Newman Recital Hall and USC Newman Recital Hall are the same reviewed room. Source records give different street approaches; no single street entrance or map coordinates are inferred. Admission is explicitly free and open to the public. Confirm current registration/capacity terms; free does not guarantee a seat. One record per exact native physical instance. Related-event blurbs, ticketing windows, livestreams and unspecified date ranges are not additional performances. End time is not inferred.

Saxophone students of Jan Berry Baker perform; the teacher is not assumed to be a soloist. Individual works are unpublished. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.