Low Frequency Trio premieres works for bass clarinet, double bass, and piano by Stanford Graduate Composers. Formed in 2016, Low Frequency Trio is one of the few ensembles in the world that plays music that was exclusively composed for them. Comprised of Antonio Rosales (bass clarinet), Juan José García (double bass), and José Luis Hurtado (piano), Low Frequency Trio has performed and held residencies at the Centro Mexicano para la Música y las Artes Sonoras, Centro de las Artes of San Luis Potosí, Conservatorio de las Rosas in Morelia, Festival Ecos y Sonidos, Festival Internacional Cervantino, the Museo Universitario de Arte Contemporáneo MUAC UNAM, and the Palacio de Bellas Artes in Mexico, the University of Texas UTRGV, the University of New Mexico, Harvard University, Boston University, and the NY Americas Society in the U.S., as well as the Universidad Nacional de Quilmes and the Conservatorio Manuel de Falla in Argentina. Admission Information Free admission.
Jean-Guihen Queyras is highly praised the world over for his thoughtful interpretive approach and flawless technique. “Queyras elicits an exquisite range of nuance” ( The Strad ). He pairs up with Alexandre Tharaud , whose extraordinary career spans 25 years, 25 solo recordings and countless live performances. “His sense of characterization and fine detailing is everywhere apparent” ( Gramophone ). Program: POULENC: Suite Française (d-après Claude Gervaise), FP. 80 BRAHMS: Cello Sonata No. 1 in E Minor, Op. 38 BERG: Four Pieces for Clarinet and Piano, Op. 5 SCHUBERT: Adagio from Sonata in A Minor, D.821 “Arpeggione” BRITTEN: Movements 1 and 5 from Sonata for Cello and Piano in C Major MARAIS: Prélude and Sarabande from Suite No. 1 in D Minor, (Pièces de viole, Livre II) DEBUSSY: Prologue: Lent, sostenuto e molto risoluto from Sonata for Cello and Piano in D Minor FAURÉ: Sicilienne , Op. 78; Papillon for Cello and Piano, Op. 77 BRAHMS: Hungarian Dance No. 1 in G Minor; Hungarian Dance No. 7 in A Major; Hungarian Dance No. 5 in G Minor
Jean-Guihen Queyras is highly praised the world over for his thoughtful interpretive approach and flawless technique. “Queyras elicits an exquisite range of nuance” ( The Strad ). He pairs up with Alexandre Tharaud , whose extraordinary career spans 25 years, 25 solo recordings and countless live performances. “His sense of characterization and fine detailing is everywhere apparent” ( Gramophone ). Program: POULENC: Suite Française (d-après Claude Gervaise), FP. 80 BRAHMS: Cello Sonata No. 1 in E Minor, Op. 38 BERG: Four Pieces for Clarinet and Piano, Op. 5 SCHUBERT: Adagio from Sonata in A Minor, D.821 “Arpeggione” BRITTEN: Movements 1 and 5 from Sonata for Cello and Piano in C Major MARAIS: Prélude and Sarabande from Suite No. 1 in D Minor, (Pièces de viole, Livre II) DEBUSSY: Prologue: Lent, sostenuto e molto risoluto from Sonata for Cello and Piano in D Minor FAURÉ: Sicilienne , Op. 78; Papillon for Cello and Piano, Op. 77 BRAHMS: Hungarian Dance No. 1 in G Minor; Hungarian Dance No. 7 in A Major; Hungarian Dance No. 5 in G Minor
