Free Classical Concerts in Portland

The Innocents is a live contemporary percussion/theater work using found and homemade instruments, electronic soundscapes and spoken texts. Its documentary/trailer references are context, not an instruction to list a film screening. No named performer is guessed from trailer credits. Admission is explicitly free and public; confirm capacity and presenter terms. Physical room: Lincoln Recital Hall (LH 75). Lincoln recital room 75, studio theater 115 and performance hall 175 are distinct. Other dates, masterclasses, receptions, streams and programme selection counts are not additional performances.

Free admission, as stated by Chamber Music Northwest.

Piano music by Schubert, Beethoven and Medtner; individual titles are unpublished. The separately advertised November 5 masterclass and room 326 are not this November 6 recital or its room. Admission is explicitly free and public; confirm capacity and presenter terms. Physical room: Lincoln Recital Hall (LH 75). Lincoln recital room 75, studio theater 115 and performance hall 175 are distinct. Other dates, masterclasses, receptions, streams and programme selection counts are not additional performances.

Saxophone octet, two quartets and student soloists; individual works and named players not published. Adolphe Sax is the historical dedicatee, not a performer. Admission is explicitly free and public; confirm capacity and presenter terms. Physical room: Lincoln Recital Hall (LH 75). Lincoln recital room 75, studio theater 115 and performance hall 175 are distinct. Other dates, masterclasses, receptions, streams and programme selection counts are not additional performances.

Chamber Choir selections spanning Classical, Pop and World Music; individual titles unpublished. The posted calendar end slot is not a confirmed musical runtime. Admission is explicitly free and public; confirm capacity and presenter terms. Physical room: Lincoln Recital Hall (LH 75). Lincoln recital room 75, studio theater 115 and performance hall 175 are distinct. Other dates, masterclasses, receptions, streams and programme selection counts are not additional performances.

Two-piano music by Lisa Ann Marsh, George Gershwin and the source-printed “Aaron Copeland”. Individual titles are not published; composer spelling is retained with uncertainty, not silently corrected or canonically expanded. Admission is explicitly free and public; confirm capacity and presenter terms. Physical room: Lincoln Recital Hall (LH 75). Lincoln recital room 75, studio theater 115 and performance hall 175 are distinct. Other dates, masterclasses, receptions, streams and programme selection counts are not additional performances.