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Violin Classical Concerts in Seattle

Find upcoming violin classical listings in Seattle, including concerts, recitals, orchestra programs, venues, dates, and ticket status.

Image: Andrew A. Smith / Wikimedia Commons (CC BY-SA 3.0)

41 artists • 7 composers • 4 formats • 7 venues • 2 neighborhoods

(#Violin) Filtered Results: 6Clear Instrument Filter

Date: Thu, Nov 5, 7:30 PM PST

Format: OrchestraSee ticket options
Venue: Benaroya Hall, S Mark Taper Auditorium • Neighborhood: Seattle metro • • Details

Program: Chin , Rocaná (Room of light); Szymanowski , Violin Concerto no. 2, Op.61; Stravinsky , Petrushka Performers: Jonathan Stockhammer , Conductor; Leila Josefowicz , Violin; Seattle Symphony

Date: Sat, Nov 7, 8:00 PM PST

Format: OrchestraSee ticket options
Venue: Benaroya Hall, S Mark Taper Auditorium • Neighborhood: Seattle metro • • Details

Program: Chin , Rocaná (Room of light); Szymanowski , Violin Concerto no. 2, Op.61; Stravinsky , Petrushka Performers: Jonathan Stockhammer , Conductor; Leila Josefowicz , Violin; Seattle Symphony

Date: Sun, Nov 15, 5:30 PM PST

Format: RecitalSee ticket options

Early-career recital: works by Ben Franklin, Devienne, Cambini, Anne-Louise Boyvin d’Hardancourt Brillon de Jouy, new works by Henry Lebedinsky, Zelter, Wilhelm Friedman Bach and J.S. Bach; individual titles unannounced. November 15 features Cee Adamson, not the other cities’ tenor Zayn Mir. Named baroque flute/gamba/violin/keyboards artists retained; salon/historical figures are not invented guests. Numerical general-public admission unconfirmed. Subscription, concession, donation and free-parking benefits are not single-ticket prices. Fees and availability unconfirmed. One individually reviewed public physical classical performance in the 2026–2027 edition. Exact current primary identity/full date/main clock/physical venue required; no guessed end, unnamed cast, biography repertoire, private activity or virtual duplicate. New seasons, changed native IDs and moved performances require continuity review; a missing listing is not cancellation. Native endorsed occurrence UUID, exact primary printed full weekday/date/main clock/room/street/city and current season link required. Only Seattle instances admitted; Woodinville/Tacoma/Lynnwood tours, Cantata Trail education mornings, cart/virtual products and surname variants do not add performances. Prices unknown; no provider runtime request or inferred end. Art Love’s November concert uses its explicit fourth-floor location, not the different education-series Suite 500.

Date: Sat, Nov 21, 7:30 PM PST

Format: ChamberSee ticket options

Mozart: Prelude and Fugue No.2 in G minor, K.404a (fugue after Bach BWV 883); Piano Quartet No.1 in G minor, K.478; Adagio in B minor, K.540; Piano Quartet No.2 in E-flat major, K.493. Rachell Ellen Wong violin, Alexander Grimes viola, Nathan Whittaker cello, David Belkovski fortepiano. Numerical general-public admission unconfirmed. Subscription, concession, donation and free-parking benefits are not single-ticket prices. Fees and availability unconfirmed. One individually reviewed public physical classical performance in the 2026–2027 edition. Exact current primary identity/full date/main clock/physical venue required; no guessed end, unnamed cast, biography repertoire, private activity or virtual duplicate. New seasons, changed native IDs and moved performances require continuity review; a missing listing is not cancellation. Explicit per-performance main clock/physical room overrides the general Saturday-8-p.m./mostly-Chapel introduction: Tempered is Queen Anne at 7:30 p.m.; Rift/Defiant are Chapel at 7:30; both Passion concerts are Blessed Sacrament, Saturday 8 p.m. / Sunday 3 p.m. Talks, doors, reception, weekend passes and expired Flow are not separate performances. Prices unconfirmed, no Zeffy runtime requests or biography-as-programme/cast.

Date: Sun, Nov 22, 3:00 PM PST

Format: ChamberSee ticket options

Mozart: Prelude and Fugue No.2 in G minor, K.404a (fugue after Bach BWV 883); Piano Quartet No.1 in G minor, K.478; Adagio in B minor, K.540; Piano Quartet No.2 in E-flat major, K.493. Rachell Ellen Wong violin, Alexander Grimes viola, Nathan Whittaker cello, David Belkovski fortepiano. Numerical general-public admission unconfirmed. Subscription, concession, donation and free-parking benefits are not single-ticket prices. Fees and availability unconfirmed. One individually reviewed public physical classical performance in the 2026–2027 edition. Exact current primary identity/full date/main clock/physical venue required; no guessed end, unnamed cast, biography repertoire, private activity or virtual duplicate. New seasons, changed native IDs and moved performances require continuity review; a missing listing is not cancellation. Explicit per-performance main clock/physical room overrides the general Saturday-8-p.m./mostly-Chapel introduction: Tempered is Queen Anne at 7:30 p.m.; Rift/Defiant are Chapel at 7:30; both Passion concerts are Blessed Sacrament, Saturday 8 p.m. / Sunday 3 p.m. Talks, doors, reception, weekend passes and expired Flow are not separate performances. Prices unconfirmed, no Zeffy runtime requests or biography-as-programme/cast.

Date: Sun, Nov 22, 2:00 PM PST

Format: ChamberSee ticket options

Programme: Johann Sebastian Bach — Sonata for Violin and Piano in C minor BWV 1017. Programme: Ludwig van Beethoven — Sonata for Piano and Violin in E-flat major, Op. 12, No. 3. Programme: Franz Schubert — Fantasy in C Major, Op. 159, D. 934. Numerical general-public admission unconfirmed. Subscription, concession, donation and free-parking benefits are not single-ticket prices. Fees and availability unconfirmed. One exact public physical main concert. Current public calendar native ID/title/date/category and primary full-year date/main clock/room agree. Calendar JSON membership is the endorsement for entries beyond the visible first-page cards; no guessed event path or unreviewed category admitted. Biography collaborators, parking, donation amounts, series-wide artist galleries, virtual expiry dates and pre-concert programmes are not main-concert cast/prices/starts. No extra replay or pre-concert performance is counted, no inferred end or mailing street. Explicitly full with waitlist, conservatively sold out; no waitlist/registration action.

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