Orchestra in SoCal

Beethoven — Violin Sonata No. 9 in A major, Op. 47, Kreutzer, arranged for violin/string orchestra by Nemanja Radulović; Bach — Chaconne, Partita No. 2 in D minor, BWV 1004; Concerto for Violin, Strings and Basso continuo in D minor, BWV 1052R. Album/review concerto references are not this programme. Published public Ticket prices $89. Advertised seat-price band, not a subscription/member/student benefit; fees, current stock and seat availability unconfirmed. Year comes from the publisher’s explicit 2026-27 season and uniquely matching printed weekday/month/day/clock, not current-year, biography or photo dates. Slot key is a stable reviewed observation, not a claimed ticket-vendor instance. Physical venue is The Soraya in Northridge, a Los Angeles neighborhood. No campus mailing street, end/runtime, related-show card, film cast or biographical collaborator is inferred. Sold Out is availability, not cancellation; confirm presenter terms.

Public classical ensemble/recital; current works and additional named performers are unannounced, not guessed from biographies or faculty lists. Public admission amounts and availability are unconfirmed. No free badge or concession price inferred from university/student affiliation, RSVP not required, or provider payment/offer defaults. Ticketing was not queried by this connector. Exact advertised native performance ID, full printed date/weekday/main clock, Pacific offset and reviewed Orange physical room checked. Main stage plus ancillary lobby is one concert location, not two performances. No inferred end, campus mailing street, extra run dates, split concert clock or unnamed cast.

Program: Betsy Jolas: Latest; Leonard Bernstein: Symphony No. 1, “Jeremiah”; Johannes Brahms: Piano Concerto No. 2 in B-flat major, Op. 83 Performers: Los Angeles Philharmonic; Daniel Harding (conductor); Leif Ove Andsnes (piano); Avery Amereau (mezzo-soprano) Experience a first look at the LA Phil’s next chapter with incoming Music Director Daniel Harding as he conducts his first Walt Disney Concert Hall program of 2026. Celebrated by Bachtrack for his “high-definition reading” and close attention to “contrast, detail, and thrills,” Harding teams up with acclaimed Norwegian pianist Leif Ove Andsnes for Brahms’ Second Piano Concerto. Andsnes calls this concerto “glorious and happy music” that sets soloist and orchestra in a perfectly balanced dialogue. Despite its fiendish technical difficulty and symphony-like scale, Brahms’ Second doesn’t wear its heart on its sleeve but instead glows with carefully crafted elegance—especially in Andsnes’ capable hands, which “[blend] intimacy and bravura” in the piece ( Chicago Classical Review ). By contrast, Bernstein’s Symphony No. 1, nicknamed “Jeremiah” for the Biblical prophet, bristles with raw emotional power. Daniel Harding leads the Los Angeles Philharmonic through Bernstein’s haunting and poetic First, expressing the composer’s self-described “crisis of faith” in a modern and tumultuous world. The concert begins with the colorful, jazz-infused Latest by Paris-based composer Betsy Jolas, who turns 100 years old in 2026. Aptly titled, this percussive piece is one of Jolas’ more recent works, but certainly not her last. “Old age has fortunately not diminished my curiosity,” she says. “I’m still learning and I’m still trying things I’ve never done before.”

Program: Betsy Jolas: Latest; Leonard Bernstein: Symphony No. 1, “Jeremiah”; Johannes Brahms: Piano Concerto No. 2 in B-flat major, Op. 83 Performers: Los Angeles Philharmonic; Daniel Harding (conductor); Leif Ove Andsnes (piano); Avery Amereau (mezzo-soprano) Experience a first look at the LA Phil’s next chapter with incoming Music Director Daniel Harding as he conducts his first Walt Disney Concert Hall program of 2026. Celebrated by Bachtrack for his “high-definition reading” and close attention to “contrast, detail, and thrills,” Harding teams up with acclaimed Norwegian pianist Leif Ove Andsnes for Brahms’ Second Piano Concerto. Andsnes calls this concerto “glorious and happy music” that sets soloist and orchestra in a perfectly balanced dialogue. Despite its fiendish technical difficulty and symphony-like scale, Brahms’ Second doesn’t wear its heart on its sleeve but instead glows with carefully crafted elegance—especially in Andsnes’ capable hands, which “[blend] intimacy and bravura” in the piece ( Chicago Classical Review ). By contrast, Bernstein’s Symphony No. 1, nicknamed “Jeremiah” for the Biblical prophet, bristles with raw emotional power. Daniel Harding leads the Los Angeles Philharmonic through Bernstein’s haunting and poetic First, expressing the composer’s self-described “crisis of faith” in a modern and tumultuous world. The concert begins with the colorful, jazz-infused Latest by Paris-based composer Betsy Jolas, who turns 100 years old in 2026. Aptly titled, this percussive piece is one of Jolas’ more recent works, but certainly not her last. “Old age has fortunately not diminished my curiosity,” she says. “I’m still learning and I’m still trying things I’ve never done before.”

Program: Betsy Jolas: Latest; Leonard Bernstein: Symphony No. 1, "Jeremiah"; Johannes Brahms: Piano Concerto No. 2 Performers: Los Angeles Philharmonic; Daniel Harding (Conductor); Leif Ove Andsnes; Avery Amereau Leif Ove Andsnes calls Brahms’ Second Piano Concerto “glorious and happy music” that sets soloist and orchestra in a perfectly balanced dialogue. Despite its fiendish technical difficulty and symphony-like scale, Brahms’ Second doesn’t wear its heart on its sleeve but instead glows with carefully crafted elegance—especially in Andsnes’ capable hands, which “[blend] intimacy and bravura” in the piece ( Chicago Classical Review ). By contrast, Bernstein’s Symphony No. 1, nicknamed “Jeremiah” for the Biblical prophet, bristles with raw emotional power. Daniel Harding leads the Los Angeles Philharmonic through Bernstein’s haunting and poetic First, expressing the composer’s self-described “crisis of faith” in a modern and tumultuous world. The concert begins with the colorful, jazz-infused Latest by Paris-based composer Betsy Jolas, who turns 100 years old in 2026. Aptly titled, this percussive piece is one of Jolas’ more recent works, but certainly not her last. “Old age has fortunately not diminished my curiosity,” she says. “I’m still learning and I’m still trying things I’ve never done before.”

Back by popular demand! Prepare to be dazzled as Troupe Vertigo joins the Symphony for a breathtaking fusion of music and circus inspired feats. Beloved symphonic works unite with performances of skill, strength, and daring for a night of spellbinding spectacle and beautiful music.

Public classical ensemble/recital; current works and additional named performers are unannounced, not guessed from biographies or faculty lists. Public admission amounts and availability are unconfirmed. No free badge or concession price inferred from university/student affiliation, RSVP not required, or provider payment/offer defaults. Ticketing was not queried by this connector. Exact advertised native performance ID, full printed date/weekday/main clock, Pacific offset and reviewed Orange physical room checked. Main stage plus ancillary lobby is one concert location, not two performances. No inferred end, campus mailing street, extra run dates, split concert clock or unnamed cast.

Program: Betsy Jolas: Latest; Leonard Bernstein: Symphony No. 1, "Jeremiah"; Johannes Brahms: Piano Concerto No. 2 Performers: Los Angeles Philharmonic; Daniel Harding (Conductor); Leif Ove Andsnes; Avery Amereau Leif Ove Andsnes calls Brahms’ Second Piano Concerto “glorious and happy music” that sets soloist and orchestra in a perfectly balanced dialogue. Despite its fiendish technical difficulty and symphony-like scale, Brahms’ Second doesn’t wear its heart on its sleeve but instead glows with carefully crafted elegance—especially in Andsnes’ capable hands, which “[blend] intimacy and bravura” in the piece ( Chicago Classical Review ). By contrast, Bernstein’s Symphony No. 1, nicknamed “Jeremiah” for the Biblical prophet, bristles with raw emotional power. Daniel Harding leads the Los Angeles Philharmonic through Bernstein’s haunting and poetic First, expressing the composer’s self-described “crisis of faith” in a modern and tumultuous world. The concert begins with the colorful, jazz-infused Latest by Paris-based composer Betsy Jolas, who turns 100 years old in 2026. Aptly titled, this percussive piece is one of Jolas’ more recent works, but certainly not her last. “Old age has fortunately not diminished my curiosity,” she says. “I’m still learning and I’m still trying things I’ve never done before.”