DateBook

Venue guide

Schoenberg Hall

Los Angeles

Classical DateBook venue guide

Schoenberg Hall classical concerts

Los Angeles

Schoenberg Hall hosts classical performances listed in the SoCal calendar. Use this page for current dates, source links, and the latest available venue details.

Next performance

Faculty Artist Series: The Theoreticals Return

Wednesday, October 28 at 8:00 PM · Free admission

12

Shows in 90 days

12

Dates listed

Fri + Sun

Coming up most

Free

Listed prices

What to expect

Planning a visit to Schoenberg Hall

Use this venue guide to compare current performances at Schoenberg Hall. Confirm the presenter, program, room, seating or admission terms, run time, accessibility, and ticket details on the individual event listing before setting out.

Performance detail pages (12)

27 artists • 15 composers • 4 formats • 35 venues • 3 neighborhoods

(Schoenberg Hall) Filtered Results: 12Clear Venue Filter

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Date: Wed, Oct 28, 8:00 PM PDT

Venue: Schoenberg Hall • • Details

New compositions by UCLA theory faculty, including violin, electronics, quintet and improvised duos; individual titles are not published. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Thu, Oct 29, 8:00 PM PDT

Free
Venue: Schoenberg Hall • • Details

Richard Strauss — Don Quixote, with Ben Hong (cello) and Che-Yen Chen (viola). Barbara Fuchs is a discussion participant, not an instrumental soloist; the reception is not another performance. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Fri, Oct 30, 8:00 PM PDT

Free
Venue: Schoenberg Hall • • Details

Announced works: Robert Jager — Esprit de Corps; Eric Ewazen — A Hymn for the Lost and the Living; William Schuman — Chester (Billings tune); Morten Lauridsen — O Magnum Mysterium (H. Robert Reynolds transcription); Omar Thomas — Of Our New Day Begun. Reynolds’s 2015 guest appearance is historical, not this concert’s conductor. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Sun, Nov 1, 4:00 PM PST

Free
Venue: Schoenberg Hall • • Details

Steve Reich — Eight Lines; Know what is above you; WTC 9/11; Tehillim. The prior symposium and the related December 5 program are separate; December works are not added to this November program. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Fri, Nov 6, 8:00 PM PST

Venue: Schoenberg Hall • • Details

Harp DMA recital: Alfredo Rolando Ortiz — South American Suite for Harp and Orchestra; Paraguayan harp techniques and double-action pedal harp are part of the described research/performance. Ortiz is the composer, not an assumed live collaborator. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Free admission

INSTRUMENTS

Date: Mon, Nov 9, 8:00 PM PST

Venue: Schoenberg Hall • • Details

Reviewed public classical/chamber performance; individual works and/or cast are not yet published. The school is credited as presenter, not an invented named performer. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Tue, Nov 10, 7:30 PM PST

Free
Venue: Schoenberg Hall • • Details

New works by UCLA undergraduate composition students; individual composers/work titles are not yet published. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. The body retains a stale 2025–26 season phrase. Exact native ICS, primary full-year structured date and visible date/clock establish this 2026 performance; the old prose does not set its year. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.

Date: Sun, Nov 15, 7:00 PM PST

Venue: Schoenberg Hall • • Details

Public brass chamber concert; individual work titles/performer roster not yet published. Admission is explicitly free. Parking prices are separate. RSVP/priority seating instructions may differ within the source; confirm current registration and capacity terms with UCLA. No guaranteed seat or reservation claim. Only this physical performance is included, not a related-date promotion, symposium, masterclass, reception or stream. No end time is inferred from the calendar slot.