Santa Rosa Symphony Classical Concert Listings

Explore the World Through Music Dance, imagine, and explore with Snoopy and the Symphony in this lively concert celebrating musical traditions from around the world. From Brahms’s Hungarian Dance No. 5 to Márquez’s Danzón No. 2, the program travels across cultures through music and movement. North Coast Ballet California takes the stage for Ravel’s Mother Goose , while Snoopy adds to the fun in an interactive performance that will have the whole family moving to the music! Costumes are encouraged.

Rachmaninoff’s Vocalise is a landmark piece of wordless longing and quiet intensity. Bay Area native Oliver Herbert performs Saint-Saëns’ Cello Concerto No. 1, a work that unfolds in a single continuous movement, shifting seamlessly between urgency and repose. Closing the performance, Mahler’s ethereal Symphony No. 4 features a soprano in its final movement, which delivers a radiant and transcendent ending. Francesco Lecce-Chong, conductor Weill Hall, Green Music Center

Rachmaninoff’s Vocalise is a landmark piece of wordless longing and quiet intensity. Bay Area native Oliver Herbert performs Saint-Saëns’ Cello Concerto No. 1, a work that unfolds in a single continuous movement, shifting seamlessly between urgency and repose. Closing the performance, Mahler’s ethereal Symphony No. 4 features a soprano in its final movement, which delivers a radiant and transcendent ending. Francesco Lecce-Chong, conductor Weill Hall, Green Music Center

Rachmaninoff’s Vocalise is a landmark piece of wordless longing and quiet intensity. Bay Area native Oliver Herbert performs Saint-Saëns’ Cello Concerto No. 1, a work that unfolds in a single continuous movement, shifting seamlessly between urgency and repose. Closing the performance, Mahler’s ethereal Symphony No. 4 features a soprano in its final movement, which delivers a radiant and transcendent ending. Francesco Lecce-Chong, conductor Weill Hall, Green Music Center

Rachmaninoff’s Vocalise is a landmark piece of wordless longing and quiet intensity. Bay Area native Oliver Herbert performs Saint-Saëns’ Cello Concerto No. 1, a work that unfolds in a single continuous movement, shifting seamlessly between urgency and repose. Closing the performance, Mahler’s ethereal Symphony No. 4 features a soprano in its final movement, which delivers a radiant and transcendent ending. Francesco Lecce-Chong, conductor Weill Hall, Green Music Center