Classical Concert Tickets in Minneapolis–Saint Paul

Reviewed public Augsburg Music small-ensemble concert from its current School of the Arts community-performance schedule. Individual works, named performers/conductors and general-public prices are not published; none are invented. The annual and repeated monthly cards are the same physical performance, not two shows. This stable 2026 reviewed slot observation is not a claimed vendor/Google event instance. Physical campus venue: Sateren Auditorium, Augsburg University, Minneapolis. No campus mailing address, stream, inferred end/runtime, worship/theater/talk/jazz or date-range expansion. Admission unconfirmed: the school advertises both free and ticketed community events. Neither free parking after 4 p.m. nor the $5 parking permit establishes concert admission; confirm presenter terms.

Audience favorite Jon Kimura Parker returns to Orchestra Hall to play Hillborg’s seamless MAX Concerto, written for Emanuel ( M anny) AX . Then we find Sibelius at work on his Second Symphony while on holiday in Italy. Although it was completed in Finland, you’re sure to feel the warmth of the Italian sun.

Christine Amon is a versatile mezzo-soprano excelling in opera, musical theater, and art song. Her stage roles include Dorabella in Così fan tutte, the title role in Cendrillon, Hansel in Hansel and Gretel, Erika in Vanessa, Prince Orlofsky in Die Fledermaus, and Carrie Pipperidge in Carousel, among many others. She has appeared with Nashville Opera, Opera Carolina, Toledo Opera, Opera Grand Rapids, Union Avenue Opera, Opera Louisiane, and Opera Memphis. Ms. Amon also created the role of Mich in Mich and the Moon in the premiere of The Ghosts of Crosstown at Opera Memphis. In 2018 she was a finalist in the international Lotte Lenya Competition hosted by the Kurt Weill Foundation for Music. Concert performances include Rossini’s Stabat Mater, Bach’s Magnificat, Will Todd’s Mass in Blue, Mahler’s Resurrection Symphony, and Handel’s Messiah. Hailing from Grand Rapids, Michigan, Amon earned her BM at Grand Valley State University where she was named a Distinguished Alumna in 2015, and her MM from Bowling Green State University. She earned a doctorate at the University of Michigan and currently teaches classical and musical theatre voice at the University of Wisconsin-Eau Claire. This season, Amon will perform Gustav Mahler’s Lieder eines fahrenden Gesellen with the Chippewa Valley Symphony Orchestra. Kenneth J. Pereira , baritone, enjoys an active career on the operatic, concert, and recital stages. His operatic roles include Puccini’s Marcello in La Bohème, Sharpless in Madama Butterfly, the title role in Gianni Schicchi, and Mozart’s Il Conte Almaviva in Le Nozze di Figaro and Guglielmo in Così fan tutte among others. Internationally, he has appeared as the baritone soloist in numerous opera gala performances in both Italy and Mexico in works by Verdi, Puccini, and Donizetti. Recently, he has performed with the Chippewa Valley Symphony Orchestra in works by Beethoven and Mahler. Dr. Pereira also has been a soloist with the Eau Claire Chamber in works by Bach, Handel, and Mozart. Prior to his arrival in the Chippewa Valley, Dr. Pereira appeared regularly as a soloist with the Indianapolis Symphony Orchestra under the baton of Maestro Raymond Leppard in works by Beethoven and Haydn. He is also a featured soloist on the orchestra’s 2008 recording of classical and traditional Christmas music. Born and raised in northern California, Dr. Pereira graduated Magna cum Laude from California State University, Stanislaus. He holds a Doctor of Music in Voice Performance

Official Saint Paul Chamber Orchestra 2026/27 public performance.

Reviewed public Augsburg Music guest contemporary chamber-ensemble concert from its current School of the Arts community-performance schedule. Individual works, named performers/conductors and general-public prices are not published; none are invented. The annual and repeated monthly cards are the same physical performance, not two shows. This stable 2026 reviewed slot observation is not a claimed vendor/Google event instance. Physical campus venue: Sateren Auditorium, Augsburg University, Minneapolis. No campus mailing address, stream, inferred end/runtime, worship/theater/talk/jazz or date-range expansion. Admission unconfirmed: the school advertises both free and ticketed community events. Neither free parking after 4 p.m. nor the $5 parking permit establishes concert admission; confirm presenter terms.

Official Saint Paul Chamber Orchestra 2026/27 public performance.

​A visionary new work from one of America's most celebrated composers, Creation is an oratorio in three parts for treble choir and wind ensemble with video projections which reimagine the story of existence through a feminine lens. The libretto is woven from the words of eight women poets, exploring themes of the universe’s birth, the formation of life on Earth, motherhood, and the power of community. Among these texts are two newly commissioned poems by Gretchen Ernster Henderson, including “Another Word for Love is Light.” The piece is dedicated to Cecilia Payne, the pioneering scientist who discovered the composition of the universe, embodying the work’s themes of knowledge, wonder, and humanity. In a groundbreaking artistic collaboration, every creative force behind Creation—from composer to poets, filmmakers, dancers, and animators—are women. The result is a powerful statement on the creative force of womanhood, inspired by Emily Dickinson’s words: “To be a Flower, is profound responsibility.”

Audience favorite Jon Kimura Parker returns to Orchestra Hall to play Hillborg’s seamless MAX Concerto, written for Emanuel ( M anny) AX . Then we find Sibelius at work on his Second Symphony while on holiday in Italy. Although it was completed in Finland, you’re sure to feel the warmth of the Italian sun.