Piano Classical Concerts in NorCal

GRAMMY-Award winning pianist, arranger, and Askonas Holt Artist Craig Terry visits SFCM for a Voice Department residency culminating in a one-night-only performance titled "Beyond the Aria.”ProgramFinal program details will be announced upon availability. Featured ArtistsCraig Terry, piano

Date: Tue, Sep 29, 12:30 PM PDT

Ezequiel Barrera and Carl Blake, Piano

Ticketed: $0

Venue: Old St. Mary's Cathedral • Neighborhood: San Francisco Bay Area • Map • Details

Heitor Villa-Lobos: Impressões Seresteiras Ludwig van Beethoven: Piano Sonata in F Minor, Op. 57 ( Appassionata ) Ezequiel S. Barrera: Fantasía “IRINI” Ezequiel S. Barrera: Fantasía Mexicana (One Piano – Four Hands)* *Piano duet with Carl Blake

Performers: Edwin Outwater , Conductor; Teddy Abrams , Conductor; Yuja Wang , Piano; Jenny Wong , Choirmaster / chorus director; San Francisco Symphony

Performers: Lang Lang , Piano

Join us for four evenings of listening and discovery as Philharmonia’s program notes annotator Scott Foglesong offers a practical introduction to the music, the composers, and the ideas and stories behind it. Class 4: 20th century composers looked back to the Baroque for inspiration. Stravinsky’s “neo-Baroque” style views Baroque idioms through a modern lens. The rise of historically-informed performance practice that aims to reconstruct, as far as possible, the overall sound world of Baroque music as it was, has also impacted modern composers, who may well for write for the harpsichord instead of the piano, or who may explore the sonic possibilities of earlier string, wind, and brass instruments. The Baroque is very much with us today, as we’ll find out in a session that will include a live performance by members of Philharmonia Baroque! Dates: Wednesdays, September 16, 23, 30, and October 7 | 6:30–8:00 PM Location: Community Music Center Mission Campus, 544 Capp St, San Francisco, CA 94110 Price: $100 for the full course (four sessions). This includes a $20 voucher toward a Philharmonia Baroque concert in the 2026/27 season.* ENROLL TODAY *May not be combined with other discounts or applied to the price of a subscription. Not valid for concerts at Stanford. Exclusions apply.

The season’s opener begins with a fanfare of fate, which marks a poignant full circle for Francesco Lecce-Chong. He returns to the first piece he led with the Symphony: Tchaikovsky’s tempestuous Symphony No. 4. This high-octane program also features fiery virtuoso Maxim Lando in Liszt’s thrilling Piano Concerto No. 1 and a world premiere by Matt Browne, a celebrated alumnus of the First Symphony Project. Single tickets on sale Monday, August 3.

The season’s opener begins with a fanfare of fate, which marks a poignant full circle for Francesco Lecce-Chong. He returns to the first piece he led with the Symphony: Tchaikovsky’s tempestuous Symphony No. 4. This high-octane program also features fiery virtuoso Maxim Lando in Liszt’s thrilling Piano Concerto No. 1 and a world premiere by Matt Browne, a celebrated alumnus of the First Symphony Project. Single tickets on sale Monday, August 3.

The season’s opener begins with a fanfare of fate, which marks a poignant full circle for Francesco Lecce-Chong. He returns to the first piece he led with the Symphony: Tchaikovsky’s tempestuous Symphony No. 4. This high-octane program also features fiery virtuoso Maxim Lando in Liszt’s thrilling Piano Concerto No. 1 and a world premiere by Matt Browne, a celebrated alumnus of the First Symphony Project. Single tickets on sale Monday, August 3.